Special Interests

 

 

 Like most people, I have several special interests that impact my mind and sometimes my art.  These include:  Chaos Theory, Golf, Runes, Creative Writing, and Christianity, but there are others.  I regularly read, contemplate, and sometimes practice various topics of special interest to me. 

CHAOS THEORY

This introduction to Chaos Theory is taken in part from Greg Rae’s Home Page: http://www.imho.com/grae/chaos/index.html

 

"chaos theory" comes from the fact that systems described by the theory are apparently disordered. But chaos theory is really about finding the underlying order in apparently random data. The first experimenter in chaos was Edward Lorenz. In 1960 he had a computer set up with equations to model what the weather might be.

One day in 1961 when he wanted to see a particular sequence again he started in the middle of the sequence instead of the beginning. He used the number off his printout and left to let the computer run. When he returned, the sequence had evolved differently. Instead of the pattern as before, it diverged, ending up wildly different from the original. Eventually he figured out what happened. The computer stored the numbers to six decimal places in its memory. To save paper, he only had it print out three decimal places. In the original sequence, the number was .506127, and he had only typed the first three digits, .506.

By all conventional ideas of the time, it should have worked. He should have gotten a sequence very close to the original sequence. A scientist considers it lucky if measurements have accuracy to three decimal places. Surely the fourth and fifth, impossible to measure using reasonable methods, can't have a huge effect on the outcome of the experiment. Lorenz proved this idea wrong.

The flapping of a single butterfly's wing today produces a tiny change in the state of the atmosphere. Over a period of time, what the atmosphere actually does diverges from what it would have done. So, in a month's time, a tornado that would have devastated the Indonesian coast doesn't happen. Or maybe one that wasn't going to happen, does. (Ian Stewart, Does God Play Dice? The Mathematics of Chaos, pg. 141)

Lorenz searched for a simpler system that had sensitive dependence on initial conditions. His first discovery had twelve equations. He took the equations for convection, and stripped them down, making them unrealistically simple. The system no longer had anything to do with convection, but it did have sensitive dependence on its initial conditions, and there were only three equations this time. Later, it was discovered that his equations precisely described a water wheel.

The equations for this system also seemed to give rise to entirely random behavior. However, when he graphed it, a surprising thing happened. The output always stayed on a curve, a double spiral. There were only two kinds of order previously known: a steady state, in which the variables never change, and periodic behavior, in which the system goes into a loop, repeating indefinitely. Lorenz's equations were definitely ordered - they always followed a spiral. They never settled down to a single point, but since they never repeated exactly, they weren't periodic either. He called the image he got when he graphed the equations the Lorenz attractor.

In 1963, Lorenz published a paper of his discovery. He included the unpredictability of the weather, and discussed the types of equations that caused this type of behavior. The journal he was able to publish in was a meteorological journal. Lorenz's discoveries weren't acknowledged until years later, when they were rediscovered. Lorenz had discovered something revolutionary; now he had to wait for someone to discover him.

An employee of IBM, Benoit Mandelbrot was a mathematician studying this self-similarity. One of the areas he was studying was cotton price fluctuations. No matter how the data on cotton prices was analyzed, the results did not fit the normal distribution. Mandelbrot eventually obtained all of the available data on cotton prices, dating back to 1900. When he analyzed the data with IBM's computers, he noticed an astonishing fact:

The numbers that produced aberrations from the point of view of normal distribution produced symmetry from the point of view of scaling. Each particular price change was random and unpredictable. But the sequence of changes was independent on scale: curves for daily price changes and monthly price changes matched perfectly. Incredibly, analyzed Mandelbrot's way, the degree of variation had remained constant over a tumultuous sixty-year period that saw two World Wars and a depression. (James Gleick, Chaos - Making a New Science, pg. 86)

One mathematician, Helge von Koch, captured this idea in a mathematical construction called the Koch curve. To create a Koch curve, imagine an equilateral triangle. To the middle third of each side, add another equilateral triangle. [Figure 4]Keep on adding new triangles to the middle part of each side, and the result is a Koch curve. A magnification of the Koch curve looks exactly the same as the original. It is another self-similar figure.

The Koch curve brings up an interesting paradox. Each time new triangles are added to the figure, the length of the line gets longer. However, the inner area of the Koch curve remains less than the area of a circle drawn around the original triangle. Essentially, it is a line of infinite length surrounding a finite area.

To get around this difficulty, mathematicians invented fractal dimensions. Fractal comes from the word fractional. Fractal has come to mean any image that displays the attribute of self-similarity. The bifurcation diagram of the population equation is fractal. The Lorenz Attractor is fractal. The Koch curve is fractal.

Later, a scientist by the name of Feigenbaum was looking at the bifurcation diagram again. He was looking at how fast the bifurcations come. He discovered that they come at a constant rate. He calculated it as 4.669. In other words, he discovered the exact scale at which it was self-similar. This was a revolutionary discovery. He had found that a whole class of mathematical functions behaved in the same, predictable way. This universality would help other scientists easily analyze chaotic equations. Universality gave scientists the first tools to analyze a chaotic system. Now they could use a simple equation to predict the outcome of a more complex equation.

 

Many scientists were exploring equations that created fractal equations. The most famous fractal image is also one of the most simple. It is known as the Mandelbrot set. The equation is simple: z=z2+c. Fractal structures have been noticed in many real-world areas, as well as in mathematician's minds. Blood vessels branching out further and further, the branches of a tree, the internal structure of the lungs, graphs of stock market data, and many other real-world systems all have something in common: they are all self-similar.      

                                             

Mandelbrot Set Image

www.cs.ucr.edu/ ~ddreier/mandelbrot.jpg  

Chaos even has applications outside of science. Computer art has become more realistic through the use of chaos and fractals. Now, with a simple formula, a computer can create a beautiful, and realistic tree. Instead of following a regular pattern, the bark of a tree can be created according to a formula that almost, but not quite, repeats itself.

Music can be created using fractals as well. Using the Lorenz attractor, Diana S. Dabby, a graduate student in electrical engineering at the Massachusetts Institute of Technology, has created variations of musical themes. ("Bach to Chaos: Chaotic Variations on a Classical Theme", Science News, Dec. 24, 1994) By associating the musical notes of a piece of music like Bach's Prelude in C with the x coordinates of the Lorenz attractor, and running a computer program, she has created variations of the theme of the song. Most musicians who hear the new sounds believe that the variations are very musical and creative.

There are other aspects of chaos theory in mathematics that are interesting to contemplate.  Consider, for example, fractional dimensions or the measurement and division of various lengths and widths of objects.  To read some more about this go to Greg Drae’s discussion of this on his page “Fractional Dementia”

 

GOLF

        I’ve been playing golf since about age 12.  As Mike Linder states in his book “Golf and the Spiritual Life, there just is no other game like it.   Only in golf are the players expected to keep the rules on themselves.  Of course, some pay less attention to rules than others, but by and large the scorekeeping and assessing of penalties are done by each player.  It occurs to me that Golf is very much like life.   People set specific goals to reach and follow certain rules in getting there.  Honesty is a strong value in life and in Golf.  In football, no player ever tells the official that “No, I didn’t catch the ball – I trapped it against the ground”, to the contrary football players claim catches and look for advantages regardless of the rules.  But if a golfer inadvertently moves the ball before hitting, the player will call the penalty even if no one is watching.  In Golf, I’m always just competing against myself and the golf course.  It is the only game I can think of where an opponent will cheer when you make a good play.

 

RUNES

        . My watercolor and acrylic painting explores repetitive patterns and relationships between colors and shapes and their connection to the natural world.  On a trip to Great Britain , I saw the use of RUNES in ancient religious structures and burial sites. My paintings that incorporate references to Runes are intended to visually explore and interpret the natural use of Runes in the ancient Celtic cultures in the purer light of contemporary painting.  Ancient uses of the Runes included “scripts” and “poems” of related Runes and I often include a script of secondary Runes associated with the primary Rune in each painting. I'm also interested in exploring the meanings of petroglyphs and symbols of other ancient cultures.

 

  RUNES are an alphabetic script used by peoples of Northern Europe and the British Isles from the first century until well into the Middle Ages.  In addition to their use as a written alphabet, Runes also served as a system of symbols used for magic and divination.  Runes seem to have developed from two distinct sources, one magical and one literate.  Pre-runic symbols have been found in various Bronze Age rock carvings.  The exact meaning of these ancient sigils are now lost. There is debate over the “alphabet” source of Runes.  Cases have been made for both Latin and Greek derivation but the strongest evidence points to a North Italic origin.  The collection of runic symbols is called the “futhark” which like the word “alphabet” is derived from the first few letters in the runic sequence.  The original or Elder Futhark consists of 24 letters and was used by northern Germanic tribes in Sweden, Norway, Denmark, and Northern Germany.

Sometime around the fifth century AD, the Anglo-Saxon invasions of northern Netherlands and Germany coincide with the appearance of similar runes in the British Isles.  This alphabet has become known as the Anglo-Saxon Futhorc and differs from the Elder.  The Anglo-Saxon Futhorc, along with a later version in Scandinavia, Younger Futhark, remained in common use until well into the 17th century.  Up until then they were found on everything from coins to coffins and their use was actually sanctioned by the Christian Church in some places.  Along with most of the magical arts, Runes were officially banned in 1639 as part of the Church’s efforts to suppress pagan religion.

Runes were used by the ancient Celtic cultures for reading the conditions or elements in the present.  Each Rune is associated with a particular tree.  Trees were to the Anglo-Saxon Druids, what the crucifix is today for Christians, the symbol of where they came from (above/branches), who they were (physical/trunk), and where they were going (below/roots).

Today, Runes have been rediscovered as a symbolic system and have gained popularity as a means of divination.  But, they are more than a curious alternative to Tarot cards and crystal balls.  They provide a key to understanding the lives and beliefs of the ancient people who created them, and have much to teach us about a way of life that may have been more intimately connected to the natural world, and, perhaps, to the realm of spirit, than our own. 

CREATIVE WRITING

 

        The last couple of years I was on the faculty at Jacksonville University, I studied Creative Writing with Robert Stanton.  I found the creative process in this art form very much like painting.  In fact, I simply “saw” a scene visually and then described it in sensory terms.  No doubt there are other methods of approaching writing but this worked for me.

 

CHRISTIANITY

 

        I make no apologies for my religion.  In this age of political correctness people sometimes seem to bend over backwards to keep from offending anyone of any religious group or anti-religious group, except for Christians.  I teach a Sunday School class and have learned a great deal as a result of reading the Holy Bible.  The Book is a documentary of the relationship of an entire people with God and how they were affected by that relationship.  Being the chosen people was not an easy task for Israel and it is not easy for the extension of Judaism into Christianity by Jesus, the Messiah.